It is terribly romantic

Sunday morning begins as it usually does. It is the only time neither of us face obligations forcing us out of bed; our bodies only stir out of routine, waking whether we like it or not in the moments when, on any other morning, we would be pretending to ignore the alarm. I take heavy steps to the bathroom, the cat dutifully slinking after me, my own drowsy chaperone. He follows me again as I return to bed, thinking as I always do that maybe this time, for once, I will be able to actually fall back asleep. I won't; I never do. I don't really mind.

Lying awake but unwilling to betray ourselves to the impatient daylight, we blame the cat for our laziness; Eliot has just gotten comfortable on my abdomen and we'd hate to disturb him. He settles into me, his purrs more determined as I try to remove him, so I yield, but we both know he will stretch and yawn and find another suitable spot whenever we manage to budge him from this one.

Adam asks me to make coffee. I want it, too, but draw a kiss and a 'please' from him first. A little persuasion never hurts.

I make coffee and listen to the percolation and pops of steam from the kitchen. I move and start to think in this special kind of quiet. Adam's steps toward his desk are slumberous and shuffling, and as he sets himself before his computer, I bring him a filled, well-chosen mug.

Today, we write. I on the couch, Adam in the office - his feet, propped up over the edge of the desk, are sneaking into my peripheral view through the doorframe. The tick-tack-taps of his fingers on the keyboard are sometimes fluid, sometimes hestitant, always comforting. I drink my coffee and try to move my own fingers fast enough to keep up with my mind as it changes too quickly and too often. I am distracted, and Eliot seems to notice from his armchair perch; he picks his way to me and casually shifts his body to lie against the warmth of my computer. The light behind the curtains fails to convince me it's almost noon.

It is terribly romantic, two writers in love. We are no F. Scott and Zelda, no Ted and Sylvia, but neither were they - not at home, not to each other. Adam and Kait will never rival such myths: we are not, of course, of such a caliber, our passion is not born of turbulence or resentment, not of instability of either mind or character. The inspiration and criticism inherent in such tempestuous artistic partnerships is also inherently disastrous. By comparison, we are refreshingly dull; no Waste Land will come of us, though its author is our cat's namesake. We inspire the other and are inspired in return; our critiques are tactful and given only when solicited. I have learned not to read my partner's fiction until it is finally public and exists safely beyond our shared space; I too easily personalize and am prone to emotionally-fueled over-analysis. My partner knows it is better for us to read my writing only after I am physically removed from it, best when I am emotionally removed as well. We love our writing, but we remember to love each other.

So today, we write. We are always writing, and we are always loving each other. It is terribly romantic, and it is delightfully mundane. We will write, and we will live our lives. Tonight, we will eat dinner and happily waste time together being silly and stupid and enjoying each other until it is time for bed. Someone will still need to feed the cat, to scratch behind his ears and lure him into sleep. One of us - usually me - will still need to turn off the lights before climbing into bed with the other. I will tread the path so familiar, it's automatic: reaching out in the dark to find the wall, then following it to my side of the bed, trailing my hand along the cool plaster like a child absentmindedly trails a stick along a fence. We will fall asleep, easily or not, and prepare for tomorrow, for tomorrow is coming. Tomorrow, we write.